God proves
own existence
hating you so
fucking much
too often for
randomness,
earth moving
enough that
you must
be favorite
dumping spot
of universe.
We're the Ezine dedicated to all things barroom. We are slightly off what others consider the norm and always the last to close the bar. If you prefer the local dive bar to the glitz of some overpriced club then you're our kind of people. So welcome grab a drink and enjoy.
God proves
own existence
hating you so
fucking much
too often for
randomness,
earth moving
enough that
you must
be favorite
dumping spot
of universe.
Christopher Reilley is a New England-based poet and author whose work bridges poetry, prose and fiction. He has served as Poet Laureate of Dedham, Massachusetts and is the founder of the Dedham Poet Society. Reilley’s creative reach extends into the realm of cultural preservation: four of his poems are included in the Lunar Codex — a digital/analog time-capsule archive of global artistic works that has been carried to the Moon.
As the bass lines
Strays in rhythm
With the beer orders…
Electric mayhem
Flashing while looking
Out the window—the
Wind revolving a
Purgatory riff, oh God,
My loss spills blood
Through my eyes. Seeing
beings spontaneously crack
Into splinters of
Unnecessary shame.
Inside the sphere of the
Conflict, beings beaten,
Busted by bureaucratic
Bounties. Paid nothing
For crimson knuckles.
Dan Provost’s poetry has been published both online and in print since 1993. He is the author of 17 books/ chapbooks, including All in a Pretty Little Row, released by Roadside Press, in November 2023. Notes From the Other Side of the Bed will be published by A Thin Slice of Anxiety Press in early 2025. His work has been nominated for The Best of the Net three times and has read his poetry throughout the United States. He lives in Keene, New Hampshire with his wife Laura, and dog Bella.
(Bozeman, Montana)
Proximity and geometry, they are what
It was that got them that moniker. Three
Neighboring watering holes, a triptych oasis:
The Hof, that is the Hofbrau, a cinder-block
Shrine. The Molly, the Molly Brown saloon.
The Scoop, dive bar, since sunk, gone belly-up,
Like a defeated Moby Dick. Many have met
Their demise, disappearing from the radar,
After a night flight into the triangle, moving
From one bar to the next, guided by not-so-
Dead reckoning--instinct, luck. For beer is
An unreliable joystick, and a pool cue a poor
Crutch. Each companion a compass searching
For something resembling a true north.
Bruce Morton divides his time between Montana and Arizona. He is the author of two poetry collections: Planet Mort (2024) and Simple Arithmetic & Other Artifices (2014). His poems have appeared in numerous online and print venues. He was formerly dean at the Montana State University library.
Within the act of a suicide's escape.
That silence is the comfort that is but a feathered bed embrace.
As we ascend beyond that realm that only brought you pain.
In the secrets that are only whispered from fools whose hidden agenda
is but a service to their pocket or stained sheets bed.
Can we not choose to expel one's own flame?
Or is our fate's destination, orchestrated by invisible forces?
Are there many, or but one?
The mother's proverbial womb cast aside
to the ever-frail male ego's dominance?
Does this escape make damnation concrete?
We walk now between the worlds a beautiful imbalance.
Does the denial of light's ignorance tempt you?
Pale is the beautiful face of the soon-to-be flower's transition
to the soon-to-be corpse.
To step beyond the chains of the mortal coil.
Is there not beauty even within death?
Behind the veil, is where all the answers truly reside.
JPR, is a Southern Gothic writer his work has been published in Fixator Press, Horror Sleaze Trash, Lothlorien Poetry Journal, Disturb The Universe, Fearless Poetry Zine, Spill The Words Press, and The Dope Fiend Daily.
His work is often dark and always unfiltered.
I can’t send out an email now,
I can’t give you a critique
of your poem.
The mere fact that I’m writing
about poetry in a poem
is an irksome absurdity.
I should be driving a cab,
but I have a fear of driving,
or prepping for the night shift
at some seedy hotel,
but I’ve already done that
and it filled me with pathetic mutterings
that no one cared to listen to.
I’m here and there are plenty
of someones who will want to
think nothing of me
and they will think nothing of me,
so that’s something.
That’s a cocky dumb shit line
that some wannabe liar would end with
to make themselves look Bukowski.
Such bullshit artists
who have never read Vallejo,
or Ruben Dario,
or Lord Byron,
or Percy Bysshe Shelley,
or Bill Knott
and on and on
and only a bullshit poet
would name all of those names
in a poem,
so here I am.
I wanted to paint a painting
this morning.
I woke up dreaming
about painting a painting.
I went out into the streets
to capture the inspiration
to paint that painting
before it was even sunrise.
I had to watch that the cops
didn't think that I was some
sort of nutcase
drifting around so early in the morning
looking for God knows what,
maybe the sunrise.
Maybe the cops are right.
Maybe I am some sort of nutcase.
I tried to keep a low profile.
There were a few true pervs about.
I came back with a thousand
brilliant ideas on nothing
and spent the day jerking off
both literally and figuratively.
I have met God
in the smeared eyeliner
of strangers—
who hold my hair
like it’s communion,
who whisper prayers
through cracked lips,
who cradle broken pieces
like holy relics
in the back of a club,
where saints
dance with sinners,
and the fluorescent light
never tells the truth.
This is where salvation smells
like cheap perfume
and desperation.
Where grace
is a hand on your back
when the world
is too loud to hear yourself breathe.
Heather Kays is a St. Louis-based poet and author passionate about writing since age 7. Her memoir, Pieces of Us, dissects her mother’s struggles with alcoholism and addiction. Her YA novel, Lila’s Letters, focuses on healing through unsent letters. She runs The Alchemists, an online writing group, and enjoys discussing creativity and complex narratives.
It’s a struggle but finally you are wake
With a head full
Of unconquerable mountains and penny
Weary eyes.
Sitting up you blink away the coinage
Of death,
Eyes opened fully, you take in the carnage
Of the night before.
You pick your way through the fallout,
Among discarded clothes
And fragments of the night that you can’t
Quite remember.
Downstairs the house is cold and grey as
The ash from last nights fire,
The air thick as your tongue, smelling of stale
Beer and sour whiskey.
In the kitchen you play a game of hunt the
Coffee beans,
Find them in a packet already open and like you,
Already past it’s sell by date.
You grind and brew arabica beans roasted, like
Your thoughts, to the edge of darkness.
Exchanging one addiction for another, you slurp
And swallow,
Hoping the bitter taste will take the edge off
The craving for another night before.
You sit alone drinking and listening to the rain
Chuckling in the downpipes,
Promising yourself you will not drink before
Mid day, will not pass out
Before god knows when. But between sips of
coffee and the laughing rain,
You resign yourself to another day of what
Might have been,
After all, promises are made to be broken.
Whenever my cat hears me play
"The House of the Rising Sun" by Dylan
He jumps on my lap,
Rattling my whiskey
As if he senses something....
Some mysterious scent
A feline totem...
He was once
An abandoned
Feral cat
His father was a rambling man
as he wags his tail
As if the music and the words
Were a mantra,
A dirge
That brings him
Back to that winter,
the starving fields of Kentucky
Where he almost succumbed ---
His House of the Rising Sun--
Which has been
The ruin of many
A young cat...
And thank God
He wasn't one.
Doug Holder is on the board of the New England Poetry Club and teaches creative writing at Endicott College. His latest poetry collection is " I ain't gonna wait for Godot, no more" ( Wilderness House Press)
Ibbetson Street Press http://www.ibbetsonpress.com
Poet to Poet/Writer to Writer http://www.
Doug Holder CV http://www.dougholderresume.
Doug Holder's Columns in The Somerville Times
https://www.I entered Eddie’s Neighborhood Bar & Grill and saw my best friend Morgan sitting on his usual stool, the look on his face far from happy.
“S’that water?” I asked. I think the last time I saw Morgan drink water was in high school, which was longer ago than I care to remember.
“Yeah,” he replied. “You know I haven’t been feeling well, hands all shaky.” Morgan stared at his drink like it was ready to put a curse on him.
“I haven’t said anything,” I replied, “not being a doctor.”
Morgan took a long sip of water. “I finally went to see Doc Ramsey. He said I might have dipsophobia”
“What’s that?”
“The fear of alcohol.” Morgan was the last person I would think of as a teetotaler, given his daily habit of “having one before I head home”.
“Doc said he was going to request the lab run the tests again.” He turned to me with a look that warned he might either pass out or throw up, probably from withdrawal. “Said he’d get back to me as soon as he got the results.”
“If you do have dispo-whatever, can it be treated?”
“Best way is to stay out of bars and restaurants that serve alcohol. You know. Avoid temptation.”
I looked around the room. It was almost full with lots of liquor in plain sight.
“You do drink a lot.” I put a hand on his shoulder. “Did you tell Martha?”
“Figured I should.”
“What did she say?”
“That she guessed she’d be eating out alone from now on.” Morgan twirled the glass slower than a slug crossing a country road. “And, no, she wasn’t smiling or have her fingers crossed when she said it.”
“Anything change in your life recently that might have you stressed out?”
“Doc asked the same question. I said no, but later I did think of something.”
“Oh? What was that?”
“Well, my sister, Bethie, is coming for a visit.”
“When?”
“In a few of weeks. She wants to stay a while. Didn’t say how long. Martha wonders if Bethie finally got fed up living with her drunk of a husband. How Bethie might want to move in with us.”
“Do you get along with your sister?”
“Not really.” Morgan eyed the display of beer taps and licked his lips. “Haven’t spoken to each other in over a year.” He looked at me and shrugged. “Not sure why.”
“Think that might be the reason you’re not feeling well,” I asked?
Before he could answer, Morgan’s phone rang to the sound of Sweet Home Alabama. He listened for a while, hung up, and got the bartender’s attention. “I’ll have a beer,” he said, with a cheerful voice. “Make it two.”
He turned toward me, a big smile on his face. “Doc said I just have a bad case of gas, probably caused by drinking too much beer too fast. I mentioned my sister coming for a visit. He suggested, based on his own family experiences, that I stay in a motel. I said that might not be a bad idea.” Morgan stared at the mirror behind the bar, keeping his eyes from mine. “Unless your spare room is available, Abe.”
I belched. My hands started to shake, and I signaled the bartender for a beer. “Make it two,” I said.
We were a bunch of assholes
but didn’t think so.
We drank a lot of beer,
dressed like bums,
thought we knew it all.
We didn’t know shit.
We were casually cruel
to the girls
because we wanted them
but knew they didn’t want us.
We all wanted to be writers,
but we were only a bunch of assholes.
Most of us are dead now.
I’m not quite dead,
and have had a fine wife
for a good long while,
but I guess I’m still an asshole,
still hoping to be a writer.
Maybe I’ll do better
tomorrow. Maybe,
but I wouldn’t bet the farm.
Jeff Weddle is the Alabama Beat Poet Laureate (2024-2026). His latest book is Letter to Xhevdet Bajraj (Uncollected Press, 2025). His work has appeared in Albanian and Spanish translation.
Fresh out of October, which sailed past
as though it had somewhere else important
to be, we swerve, breathless and half asleep,
into this new day, first of this new month,
hopeful, wishful, praying for that luck,
Irish or any other kind, to bring us fortune.
‘Tis Montana State Lottery season.
Without breaking fast, we drive to the Mint
Bar (any western town worth its cattle
has a Mint Bar), where we wait, three hours
after last call, atop pleather barstools
sipping from Styrofoam cups bitter coffee
made by a bartender who doesn’t drink coffee.
I watch people eat complimentary doughnuts
wondering how they get away with it.
We wait for the magic chime,
for the ceremony of ticket sales to commence
as the room fills fuller with cheerful folk
talking and laughing too loud for this early.
Odds of winning the million, 1 in 124,000.
That’s about ten times greater
than the odds of rolling a Yahtzee
on a first roll. I want to abstain.
I never win anything, I always say,
which isn’t true. Just this week I won
a handmade leather amulet in a raffle.
Can’t win if you don’t play is the mantra.
That one’s true.
I zone out playing Yahtzee on my phone.
I roll five Yahtzee’s between two games.
Last year we both drew instant hundred-dollar
winning tickets. Made back my investment,
which is usually all I ever ask from a gamble.
We spend what little extra cash we can
on numbered paper slips.
No instant wins today.
Home before sunrise of All Soul’s Day,
now we set our clocks back one hour and wait
for someone to draw our winning numbers.
It’s easier to keep the beer
in the cupboard
when life is going easy,
but when the doctor calls
for a follow up over a mole
shaped like a deal with the devil,
or my boss forgets my name
after working there two years
or my kid punches a hole in the wall
with his head,
I’m reminded of alcohol
not being a crutch,
but a steel toe boot.
He told me that he was a fixin’ to kill a prominent politician. Wry smiles came from his fellow patrons As he explained his deal with the an...