With Lincoln in the rearview
and Casper well north of us,
the monotony of heading straight
west across the Nebraska plains
lets my mind stray further
down the road to concerns
about our destination,
an empty house in windswept
Wyoming with no life left to it,
or just enough to cast a pall
over these blue skies.
As we approach North Platte,
Peg Leg starts coming
over the speakers with guitar
and piano almost as one voice
coaxing the drums.
And they don’t stop
when Ron Carter comes in
with his piccolo bass, because
now all of them are dancing
and that bass is singing.
Our hotel is two miles straight off
the interstate, but when the piano
takes the lead I make a hard right
as soon as we exit.
It’s like this combo knows
that Peg Leg Brewing is right
down the road, a place with great beer
and the same positive vibe.
Where the brewer turns
a handicap into an asset,
with the prosthetics he’s worn
through life, shoes and all,
hanging from the ceiling.
I let that piano play out
and soak in more of the bass
as it dances its way to the end
before we walk into the pub.
Just being there, timed perfectly
with music that’s full of life,
tells me that things aren’t all bad.
We’ll head out in the morning,
and I’ll make sure that Peg Leg
is playing when we pull into Casper.
Ken Gierke is a retired truck driver, transplanted to mid-Missouri from Western New York. His poetry has been published or is forthcoming both in print and online in such places as The Rye Whiskey Review, Rusty Truck, Trailer Park Quarterly, The Gasconade Review, and River Dog Zine. Glass Awash, published by Spartan Press, is his first collection of poetry. His website: https://rivrvlogr.com/