that stank of Pinesol, piss and stale beer,
and still had dispensers in the men’s room
for glow in the dark condoms and French ticklers
and other surprise novelty items,
and the big monkey behind the bar was named
Earl or Jake or Curly and he kept a sawed-off
table leg within reach at all times and gave you
that thousand-yard-stare if you dared ask
for anything with more than one ingredient,
and the jukebox hadn’t been changed-out
in decades and the lunch special was always
the same: pickled eggs, pork rinds and hot sauce,
though I got the feeling that nobody
ever ate it unless they lost a bet.
Jason Ryberg is the author of thirteen books of poetry,
six screenplays, a few short stories, a box full of folders,
notebooks and scraps of paper that could one day be
(loosely) construed as a novel, and, a couple of angry
letters to various magazine and newspaper editors.
He is currently an artist-in-residence at both
The Prospero Institute of Disquieted P/o/e/t/i/c/s
and the Osage Arts Community, and is an editor
and designer at Spartan Books. His latest collection
of poems is Standing at the Intersection of Critical Mass
and Event Horizon (Luchador Press, 2019).
He lives part-time in Salina, KS with a rooster named
Little Red and a billygoat named Giuseppe and part-time
somewhere in the Ozarks, near the Gasconade River,
where there are also many strange and wonderful
woodland critters.
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