The crew slipped off the waterlogged planks
with the goats. Wooly-oil stench and urinated
hay wafted from the cabin. Outside,
the air moistened with hope.
They rushed out, grasped the dirt, embraced
the wet smells now sunken deep into nostrils.
Knees pressed into the wet rust-red clay,
hands thrust high in thanks.
Limestone slopes sipped the noonday sun,
and the cool evening sweetly kissed
the Muscatine vines.
It was Fall, in the aftermath of the deluge,
the once barren fields now covered
in grasses clovering air.
And the vineyards grew in grace
trellising the harvest-green face
of the Armenian mountains.
When fine wine dripped from lush grapes,
a feast, as if a wedding, was planned.
So came the farmer & his wife,
his sons & their wives
with all their intoxicated dreams
that stripped the dignity from men.
Even the vineyards cried
at the nakedness of their father—
the rape of their mother.
Their sons could not cover-up
the deceit of their younger brother,
Ham, who was drunk
with lust.
John C. Mannone has poems accepted in North Dakota Quarterly, the 2020 Antarctic Poetry Exhibition, Foreign Literary Review, The Menteur, Blue Fifth Review, Poetry South, Baltimore Review, and others. His won the Impressions of Appalachia Creative Arts Contest in poetry (2020) and the Carol Oen Memorial Fiction Prize (2020). He was awarded a Jean Ritchie Fellowship (2017) in Appalachian literature and served as celebrity judge for the National Federation of State Poetry Societies (2018). His latest collection, Flux Lines: The Intersection of Science, Love, and Poetry, is forthcoming from Linnet’s Wings Press (2020). He edits poetry for Abyss & Apex and other journals. A retired physics professor, he lives near Knoxville, Tennessee. http://jcmannone.wordpress.com
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