sitting in a strange bar
in a strange town
in Oregon someplace
nicely buzzed
my tongue loosened
and chatting it up
with the locals
and somehow the conversation turns
to nuclear weapons
and I remark how beautiful
a mushroom cloud
truly is—
that glorious fireball
rising like a flaming erection
into the atmosphere
and boy—
does he take offense to that!
That’s fucked up, man...
you’re fucked up!
he’s drunk and so
it’s useless to explain
I’m speaking in purely
aesthetic terms
and that I’m well aware
of the horrors
of the A-Bomb—
after all...
I DID read Hiroshima
in Jr. High....
but he goes on
berating me until finally
I say—Fuck you and fuck this
and I walk out into the night
and drunk drive
back to my campsite
down an unmarked dirt road
I start a fire and sit
watching its beautiful flames dance
as no mortal man or woman
ever could
in a strange town
in Oregon someplace
nicely buzzed
my tongue loosened
and chatting it up
with the locals
and somehow the conversation turns
to nuclear weapons
and I remark how beautiful
a mushroom cloud
truly is—
that glorious fireball
rising like a flaming erection
into the atmosphere
and boy—
does he take offense to that!
That’s fucked up, man...
you’re fucked up!
he’s drunk and so
it’s useless to explain
I’m speaking in purely
aesthetic terms
and that I’m well aware
of the horrors
of the A-Bomb—
after all...
I DID read Hiroshima
in Jr. High....
but he goes on
berating me until finally
I say—Fuck you and fuck this
and I walk out into the night
and drunk drive
back to my campsite
down an unmarked dirt road
I start a fire and sit
watching its beautiful flames dance
as no mortal man or woman
ever could
Brian Rihlmann lives in Reno, Nevada. His work has appeared in many magazines, including The Rye Whiskey Review, Chiron Review, The Main Street Rag, The American Journal Of Poetry, and New York Quarterly. He has authored three collections of poetry, most recently “A Screaming Place,” (2021) by Cajun Mutt Press.
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