We were unpublished and thin and mad
we slept of a day and didn’t care where
we worked as long as we weren’t there
much and had enough for a room dark
enough to hide away
we kept the blinds closed day and night
the windows didn’t open but we never
asked the landlord to fix them
we sent stories of suicide, depression, and
undiscovered answers to The Atlantic and
the editor always sent the same form rejection
except for one time when he gave us his
private address to send future submissions
and we never sent him again
we ate hot dogs for dinner and had small
fridges without freezers filled with cans of
the cheapest whiskey and drawers with pills
and powder hidden in torn envelopes
we dressed differently and talked differently
and rarely fucked
but when we did it was always differently
we didn’t have a television that worked and
threw all the magazines and best-sellers
away
surviving on Dost and Nietzsche and beautiful
Miller tramping the streets
we hated the beautiful and laughed at the wealthy
and knew morality was just another word for
loss
we lived in the red-light district and were
familiar with the face of every bar, whore, and bum
and they were with ours
we never had any money
we knew our parent’s inferior
we sat for hours and hours gazing
at the burning sun
we were failures
we were the best
we would
ever
be.
Brenton Booth Lives in Sydney, Australia. Poetry of his has appeared in Chiron Review, North Dakota Quarterly, Main Street Rag, Naugatuck River Review, Van Gogh's Ear, and Nerve Cowboy. He has two full length collections available from Epic Rites Press. brentonbooth.weebly.com
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