Brother groans into a street
of ash, of dust, of pine-green smog,
sister chases a priest
of cotton-smock, of impending rapture, automobiles
double-parked nowhere near them. Two people stand-out in this shadow,
they rub its surrounds, clean as a colonel's brass;
forgetful of their priest, they leave him dangling to his confessor
on that shadow's underworld,
a place gamblers hid cigars from, the children knew everything about,
these were days of wine and roses
in a movie theater every sweet Saturday.
How could I fit l'il ole me into their systems reports?
Two cops, brother and sister, called to my door,
4 a.m., me the immaculate manchild
playing Black Sabbath at full force ten.
I died some time before this went down,
death in hunchback muck
behind the condos,
Nescafe-coloured stone, windows heavy, bored sometimes,
the needle-poke finger held the tv button down,
horses galloped across California,
death a brand new millionaire
John Doyle became a Mod again in the summer of 2017 to fight off his impending mid-life crisis; whether this has been a success remains to be seen. He has has two collections published to date, A Stirring at Dusk in 2017, and Songs for Boys Called Wendell Gomez in 2018, both on PSKI's Porch.
He is based in Maynooth, County Kildare, Ireland. All he asks is that you leave your guns at the door and tie up your horses before your enter.
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