The last days of Jackie
were spent with me
over quiet morning beers
their brain factory fried
now unemployed and waiting
on social security disability
with a work life bouncing around
joints manufacturing car parts
as a plastic model maker
toxic chemicals a constant
a machinist casting, core-making
injecting and molding poisons
for the profit of “the shop”
heavy drinking and drugs
getting through overtime
“down time” and layoffs
now they knock at my door
every other day early PM
short-term memory gone
speech hesitant with word loss
Nina Simone records calm them
also photographs of cityscapes.
“You’re gonna be mad at me!”
“No dude. We’re cool,” I say.
“Listen. I blew some money
on a tattoo and I know I owe you.
What is it a hundred? Two, three?
I always wanted to get inked up
with this, man, let me show you.”
They lift their shirt sleeve high
an Old English “D” on flabby bicep.
“The Tigers, man. Our city.
Is that fucking cool or what?
One hundred percent class.
I got ideas for more too.”
Jackie lasted another couple months
and now I think of their ashes
does their ex have them?
and their “D” tattoo up in flames
in a suburban crematorium
a new and final tattoo
and a life setting up machines
for the almighty finished product
and a good blue-collar with two hands
on an orbital sander moving back
and forth in the daily grind continuum
smoothing out the rough edges
and all imperfections in their creation.
Mark James Andrews lives and writes in Metro Detroit. He is the author of five chapbooks. The latest is At The Ice Cow Queen On Mack from Alien Buddha Press. His poetry has appeared in Chiron Review, Nerve Cowboy, Hiram Poetry Review, Slipstream, Respect: The Poetry of Detroit Music, Rye Whiskey Review and many other spots.
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