Monday, April 5, 2021

Jazz Dirge in 5/4 by Linda Bryant

Liver wrecked
from whiskey
& brew, he rents
in Joliet. $219
a week & never can

swing the last. Joey
& I talk jazz & the best
Chicago Deep Dish. I know
it won’t be long 

& we’re all laughs. If
our past has its own
scale it’s bebop
harmonic minor with
that chromatic

switch at the end. I cheer
when Hendrix pours lighter
fluid on his Strat;
but not Joey. He’s far

gone on Dizzy,
Thelonious & Duke.  I conjure
the funeral he’ll never
be given, envision
I’m spinning Miles for him—

Bitch’s Brew, Green in Blue. Vinyl
scratches linger
on top of a long, slow
tune. He jabbers

about scent & taste
& I sit with him
like kin. Like an aquifer
under bedrock his sister’s
anger interrupts. I get why

she turned on him—his wild
blood scorched her—
but I’m not as close. He keeps
calling, says, “Pick me up

a Reuben, a pack
of smokes.” End stage
liver failure means
a few bites
a day. Hallucinations

gather like friends
& he’s back
on the sax. There’s a girl
& he’s cashing

in. I offer two bites
of a loaded baked
potato. He rumbles out
a mmmmmmm sound, praises
the butter’s hot drip, the spud’s

steaming white & the rough
gold-brown of the skin, which he says
is sweet & gritty like slow hot
jazz & dirt.




 
Linda Bryant published widely as a career journalist for over 30 years before devoting herself to poetry. She has been nominated for a Pushcart Prize three times and won two national writing fellowships.  She lives in Bighill, Kentucky, where she operates Owsley Fork Writers Sanctuary. 



Sunday, April 4, 2021

A Boy’s Life by Keith Pearson

There is a field down behind their house where cows once grazed, but the cows are gone and the barbed wire gone to rust, and the grass allowed to grow wild except for a cutting once a summer or maybe twice if conditions fell right, a little extra for the kitty his father would say, and in the center of the field is worn the shape of a diamond, the basepaths of the ballpark that lives in the boy’s imagination, the place where he is this summer’s afternoon.

His bat is scarred and heavy with age and wrapped at the handle with black tape to keep the splinters from his hands, and his baseball is a tennis ball worn to the rubber. His only companion in the grass that day is a six year old collie named Max whose place in this world of baseball of the mind is everchanging and as important as the

names and numbers the boy memorizes from the newspaper and the radio and knows by heart, if only another soul to share the joy of being outside on a summer’s day and the little triumphs found in games recreated from a boy’s mind and played with feet and arms in the hot sun and the dry grass, creatures born for this a boy and his dog.

And this day finds him late in the battle but at rest between innings in a close game between the dreaded and powerful World Champion Yankees of New York and his beloved Red Sox, his team held so far in the magic of the wily New York lefty Whitey Ford. But the Sox righthander Big Frank Sullivan has been almost as tough with only one bad pitch to the mighty Mantle sent to the seats in far away centerfield for the game’s only run. The collie rolls on his back in the dry grass and snaps at a grasshopper popping by and rolls to his feet staring at the boy eager to return to the play. The boy climbs from the ground and sets the blue cap with the red B firmly on his blond crewcut head, a little small on him but all the better for flying off as he turns the bases digging for third, but not today, the cap is adjusted in determination, it is the bottom of the ninth and only three outs stand in the way of defeat to the crafty Yankee Ford.

Let’s go boy, he says to the collie, and pushes his spectacles up against the bridge of his nose, his tee shirt stained with sweat and the dust from the grass and his dungarees dirty at the knees from a hard but futile fifth inning slide into second, but this is no time to quit in spite of the heat, the top of the Red Sox order is due in the home half of the ninth, the quick centerfielder Piersall who has already robbed the Yanks of a couple sure hits today up first and ready to face the best the Bronx Bombers have, and the boy takes up the bat and steps to the plate drawn in the grass and takes two half swings to get loose and tosses the ball into the air and puts both hands on

the bat and draws it back and swings through the ball and hits the ball straight up into the air. Shit, he thinks, there’ll be no hit for Piersall, calls the voice of the game inside him, Howard tosses off the mask and settles under the infield pop up, the collie bouncing on his hind legs snatches the ball from the air, one out for the Sox, and carefully sets the ball at the toe of the boy’s PF Flyer.

Next is Malzone the steady third baseman and the boy stands at the right side of the plate and tosses up the ball and lets it go, its outside, and the dog crouches on his haunches perfectly still waiting for his cue, the mighty swing of the bat, and in the boy’s mind he sees Ford take the throw back from the catcher and turn his back to the plate and rub down the baseball, the number 16 on the back of his gray Yankee jersey, and turn back to the plate to again face Malzone and up goes the ball as the boy swings and makes contact, a solid hopper through the grass maybe good enough, it’s a ground ball up the middle past Ford, and the dog is off, and the boy is off, arms churning hard for first, Richardson backhands the ball, comes up with it and throws, the slow footed Malzone pounding down the line, the boy stretches to the piece of burlap, the play, he’s safe! He staggers past the base, the dog a step too late to the base with spit flying, the ball in its mouth at his heel, and he takes the ball from the collie and says, C’mon boy, Ted is up.

Ted Williams the Splendid Splinter, Number Nine, his father’s favorite. The boy remembers all the stories how Ted hit .406 in 1941 and how he practiced his swing in front of his hotel mirror for hours at a time and how he’d gone to war to serve his country not once but twice, and how even now is still the best hitter in the game and maybe the best of all time. It is now Ted’s game to win with one powerful swing of the bat.

The boy steps to the left side of the plate and sets himself in

the way he believes Ted would, eye focused on the imaginary Ford sixty feet six inches away. He tosses the ball into the air, the collie crouched at the ready, and swings and misses and spins himself down to the grass. Strike One. Alright, here we go, up goes the ball, its perfect, he swings and again misses, his upper hand flying off the heavy bat, and now he is worried. Two Strikes. Ford will waste one here, he thinks, and tosses the ball, but the ball he intended to be outside the strike zone comes down out of the blue sky a perfect strike right down the middle and he instinctively swings the bat at the last second and misses by a mile. Strike Three. The boy drops the bat and sighs and he can see Ted walk back to the dugout crowd gone quiet, his chin up but his disappointment a mask on his long face. The boy wipes his hands across the back pockets of his dungarees and takes up the bat and says to the dog, Only two out, boy, we still got a chance, and turns to the right side of the plate and now he is Jackie Jensen the blond haired right fielder, and the Red Sox last hope.

He stares out, sees Ford wipe the sweat from beneath his cap, and then draw back his devilish left arm and kick out his leg and throw, and the boy tosses up the ball and feels the bat come around and then the solid plunk of the rubber ball against the wood and the ball is off like a shot, it’s a long drive to right center! Mantle is back, he can’t get, it its rolling to the wall! and the boy is already off, turning first base with everything he has. The collie leaps and is gone in the direction of the ball tunneling a path through the tall grass and the boy turns second base, Malzone scores easily! It’s a tie game! And now he comes around third base and can see old man Higgins the manager frantically waving him on, and the boy can hear the dog coming back at full speed through the grass and with the plate in sight he imagines Elston Howard the giant Yankee catcher crouched

and waiting for the throw from the mighty arm of Mantle, its going to be too late! but then the collie is streaking across the trampled grass of the infield the ball in his mouth, Here’s the throw! And the boy stretches out his arms and dives for the plate just as the collie arrives and lets loose the ball from his mouth one stride short of home plate and the boy chest first in the dust slides across, Howard drops the ball! Jensen scores! Red Sox win! and the boy jumps to his feet and with the dog playfully snapping at his heels around him he hears the cry of ten thousand cheering hometown fans and feels Jensen slapped on the back by his teammates, Atta boy Number Four! and the boy falls onto the brittle grass trying to catch his breath. The collie ceases his spinning dance and circles the boy a few times and lays in the grass next to him heaving for air with his tongue out, and there they rest, the game over.

Sometime later the sun has begun its approach to the trees and they hear the familiar growl of his father’s Buick in the driveway across the grass and up the hill from the field. The boy jumps to his feet and the dog beside him does the same, tail wagging. At the top of the hill stands his father in his white shirt and necktie holding his hat across his face to shade his eyes, his other hand waving, and Tommy says, C’mon boy, Dad’s home, and off they run through the summer grass, the heroics of the afternoon now just something for the dust.

Maybe before supper there’ll be time to play catch.



Keith Pearson

I live in southern New Hampshire and works with special ed students at a local high school.

Saturday, April 3, 2021

Sunday Morning by Alec Solomita

Waking up parched and pounding
in a thicket of parking tickets,
overdue library books, scratched 
cds, I scan the waning dark 
to see where I’d touched down

and spy above my angled head
against the coming sky a skein
of wires where electricity chants
in sleepwalker whispers
about the long day trips ahead,

and try to figure how I’d
landed here, of all places. Gently,
I pull my hand out of the steering
wheel and straighten up on the
aromatic leather of the folding seat

and begin to remember the flood
of bourbon I nearly drowned in
the night before, and I recall 
wretched Dylan’s last boast, 
“I've had eighteen straight whiskies. 

I think that's the record.” The infant
with the lovely rumbling Welsh cadence
I worshiped, as a worshiping boy
will. The dark of morning scatters.
With a white leap, the bus beside comes alive.




Alec Solomita is a writer and artist working in the Boston area. His fiction has appeared in the Southwest Review, The Mississippi Review, and Southword Journal, among other publications. His poetry has appeared in Poetica, Litbreak, Driftwood Press, Anti-Heroin Chic, The Galway Review, Panoplyzine, The Lake, and elsewhere, including several anthologies. His photographs and drawings can be found in Convivium, Fatal Flaw, Young Ravens Review, and other publications. He took the cover photo and designed the cover of his poetry chapbook, “Do Not Forsake Me,” which was published in 2017. 


Friday, April 2, 2021

Safety of Dreams by S. A. Gerber

Reading yesterday’s paper 
by moonlight reflected 
off the sand. 
 
Keeping warm with an 
old awning from a der- 
elect building, and a pint 
of third-rate whiskey. 
 
Warm breath and cold 
ocean mist, mixed with 
cigarette smoke, make 
for thick close clouds. 
 
Left over ‘Chinese’ from 
a cool couple dinning on a  
beach-front bench, made for  
this nights repast. 
 
The waves crash closer 
and the stars, 
growing out of focus, 
are burning brighter. 
 
The echo of high tide coming 
with the wind off the water.  
Two more hits  off the bottle… 
and slip silently into 
the safety of dreams. 



S. A. Gerber is a native and resident again of Los Angeles, CA. after having spent  twenty-four years in a neighboring “city of sin” in the Silver State of Nevada. 

His work has appeared in such diverse publications as Desert Voices Magazine… 
Subtopian Magazine…Talking Sidewalks… Mad Swirl, (where he is a “contributing 

Poet”)… Sediment Literary and Arts Journal… Poetica Magazine… Black Heart Magazine… The Blue Collar Review…Los Angeles Review of Los Angeles… The Linden Avenue Literary Journal…The Poet’s Haven…Stray Light Literary Magazine… Literature in Los Angeles Magazine… Opiate Magazine… Pacific Poetry… Neologism Poetry Journal…The Lyric…Free Venice Beachhead… The Shot Glass Journal…,Dove Tales-“Empathy in Art: Embracing the Other”, Writing for Peace, International Journal of the Arts, and Alien Buddha Press-Holiday Anthology-2020. 

He is also a member of the Los Angeles Poet’s Society, (where his work can be found “Spotlighted” on their website). 

His three (3) volumes of poetry, Under the Radar, Inventory, and Old School Rhyme can all be obtained on Barnes & Noble and Amazon.com, as well as Beyond Baroque Bookstore in Venice, Ca. The Amber Unicorn in Las Vegas, NV. The Book Monster in Santa Monica, Ca. , The Book Jewel in Westchester, Ca. and  City Lights Bookstore, San Francisco, Ca. 



 

Thursday, April 1, 2021

Dark night by Merritt Waldon

All these years now, half drunk most days
Losing so many good situations 
Pushing so many darker ways

Seeing now the sown life pillaged
Too many times,  reaching I find a light
One once blinded by being caged
Through the denial & flight

All these years now, I see the stammering
I see the confusion of ages in fractured memories
Clearly now without all the clamoring

Metamorphosis pursued
I cling to the cocoon of hope
To become imbued

When the golden eternity arrives,
Ill have resown my lives






Merritt Waldon 46 year old who lives in Southern Indiana. has had work in Fearlesss,
the brooklyn rail, be about it Zine, 4th american & others anthology, riverdogs, crisis chronicles website,
cheap and easy zine, / an a book of poetry with Ron Whitehead published by Cajun Mutt Press -Oracles
from a strange fire.



Wednesday, March 31, 2021

Just another Tuesday (really) by Mike Zone

Why are my dad and I
 both allegedly stoned?
arguing over the song 
“Combat Rock”
Was it The Clash? 
or that one band
 You know?
That wasn’t The Clash?
No, I don’t know
Punk or reggae?
It’s just another Tuesday
as The Enterprise soars the space-ways
what exactly prompted this living sitcom scene?
we pop open a couple beers
ignoring the giant dead elephant 
in the room



Mike Zone is the author of A Farewell to Big Ideas, Void Beneath the Skin, Better than the Movie: 4 Screenplays and Fellow Passengers: Public Transit Poetry, Meditations and Musings. A contributing poet to Mad Swirl and contributing writer to the graphic novel series American Anti-hero by Alien Buddha Press. His poetry and stories have appeared in: Horror Sleaze Trash, The Daily Dope Fiend, Outlaw Poetry, The Rye Whiskey Review, Synchronized Chaos and Triadæ Magazine


Tuesday, March 30, 2021

Hearing Ella’s Voice by Alicia Mathias

 for Ella Fitzgerald 

When leaves scat 
from tree to street
and rustle 
with the breeze
In flurries 
of blue and gusts 
of jazz in light 
jacket weather
We feel high and wild
from all night singing
with the tipsy 
gypsy stars
Seems we shared our secrets
and They All Laughed to learn
I’ve got a crush 
on the moon






Alicia Mathias is a writer, artist, and photographer. Her poems and/or artwork, can be seen in: Ann Arbor Review, The Bitter Oleander, bradlaughsfinger, The Canopy Review, Chiron Review, Clockwise Cat, Fearless, January Review Journal, SetU Magazine, Newington Blue Press, Porter Gulch Review, The Rye Whiskey Review, Sore Dove Press, Unlikely Stories Mark V,  and elsewhere. She lives in New York, with her favorite muse, Zeppelin the Wonder Cat. 

Fumes By Patrick Carella

The yellow pump icon had been on for miles. I cradled the bottle of Reyka in the crook of my arm. Two women stood outside the liquor store, ...