Lighting another cigarette,
she pretends she isn’t looking
for metaphors of love
in the lightless faces of the men
who press sweat-stained rolls of twenties
& sometimes an unwanted Molly
into the cool heart of her palm.
With some she asks permission
to take their photo.
With others she dares
to just take—
maybe a close-up, side profile
of a two-day stubble & white glister
of a single diamond earring.
Click
Or the forearm of a client
resting postcoital across the mattress,
red painted toes and lower half
of her leg lying in approximation.
Make this one black & white
& call it the hobbyist.
Click
It’s only a job,
not the essence of her being,
she would rationalize.
Someday I’ll be an artist,
she tells herself.
A photographer of the uncanny,
maybe a self-taught
Francesca Woodman.
She orders another gin & tonic.
Her brain turning like a storm cloud,
ready to rip open.
She’s hoping for rain.
She’s hoping to get home
early tonight.
Her eyes drop to the fast-melting ice
at the bottom of her glass.
She snaps a photo
Click
then turns the lens on herself,
tilts her head & closes her eyes.
Beverly Hennessy Summa’s poems have appeared in Rust + Moth, Chiron Review, the New York Quarterly, Buddhist Poetry Review, Anti-Heroin Chic, Trailer Park Quarterly, Nerve Cowboy, Hobo Camp Review and elsewhere. She has a BA in English and is a Pushcart nominee. Beverly grew up in Yonkers, New York and New Hampshire and currently lives in South Salem, New York with her family.
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