I’d like to say it was Smalls, a landmark
but it wasn’t, it was the Top Club,
almost right across from the Baby Grande,
which in ‘66 was famous, so I heard.
Scotch and milk, the big drink, the bugaloo
the dance. You extended your arms, waved
them up and down, snapped your fingers
like you were ready to welcome someone
into you, only it wasn’t a hugging dance.
John and James had dark skin, John,
a shade darker was called Chip. Times,
if not for Chip I’d have been drinking alone
at the bar. He taught junior high math.
He jabbered, talked quietly and a lot, some
nights to himself. A lot shorter than James,
the big difference, I didn’t think of then,
was Chip was alone. James’ wife Gloria,
tall with red hair and almond cat’s eyes
shook a canister and poured whisky sours
behind the bar. James was there because
Gloria was, tall and handsome, light skinned
like Velma, who also was a barmaid. Velma,
from Mobile, could sing, but didn’t there.
Chip was there, jabbering. Sometimes,
were he not, I’d have been drinking alone.
Though people talked with me: Sonny,
who’s surname I’ve forgotten, Leon Wilson,
a stud in his black lid, cashmere
blond top coat, pencil mustache, 24,
whereas Sonny, who wore a black leather,
a lid tilted back, a scraggy goatee, was 26.
Velma was 28. She dated Chuck Jackson
once or twice, she said, The Chuck Jackson
of “Any Day Now.” He was big. I saw him
at the Apollo, down from the Baby Grande.
Gloria Prince, a barmaid, short, chubby
looked like the singer Gloria Lynne. Frankie
Smith, like Sonny, wore a black leather
cut past the waist. He never wore a lid.
I visited his room, narrow like a closet. I rode
in James’ sedan, with James and Gloria,
their surname Jones, at night on the FDR
above the East River. It was when Viet Nam
was just starting. It wasn’t Smalls, a fancier
club, nine blocks up from where we were.
Peter Mladinic’s fourth book of poems, Knives on a Table is available from Better Than Starbucks Publications.
An animal rights advocate, he lives in Hobbs, New Mexico.